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Description
dji mini 3 pro goggles integra DJI Goggles Integra – FlyFish RCThe lightweight DJI Goggles Integra adopts an integrated design that combines headband and battery into one, getting rid of pesky cables. You can use it while charging and will stay powered through several full battery drone flights for all day soaring. These goggles adopt two 1080p Micro OLED screens with up to 100Hz refresh rate, and support ultra low latency video transmission, delivering a more immersive flight experience. VIDEO: DJI Goggles
The lightweight DJI Goggles Integra adopts an integrated design that combines headband and battery into one, getting rid of pesky cables. You can use it while charging and will stay powered through several full-battery drone flights for all-day soaring. These goggles adopt two 1080p Micro-OLED screens with up to 100Hz refresh rate, and support ultra-low-latency video transmission, delivering a more immersive flight experience.
VIDEO: DJI Goggles Integra and DJI RC Motion 2｜Unboxing
Features
- The battery is integrated into the goggle headband
- DJI O3+ Video Transmission
- Lightweight and Portable
- Micro-OLED Screens
- Use while charging
- HD Low-Latency
- Integrated design
COMBINED FOR CONVENIENCE
DJI Goggles Integra combines headband and battery into one, getting rid of pesky cables. Light and compact, the goggles weigh about 410 g with foldable antennas. And with a two-hour battery life, you can fly comfortably and worry-free for extended flights.
HD DISPLAY WITH STUNNING COLORS
DJI Goggles Integra has two 1080p Micro-OLED screens to deliver true-to-life colors and highlight-shadow details. Enjoy brilliant views with a screen brightness of up to 700 nits and a refresh rate of up to 100 Hz. DJI goggles Integra is also TÜV Rheinland Low Blue Light Certified, so you can rest assured your flight is easy on the eyes.
ULTRA-LOW LATENCY AND STABLE VIDEO TRANSMISSION
DJI Goggles Integra adopts DJI O3+ video transmission, boasting latency as low as 30 ms. The goggles automatically switch frequency bands and possess strong anti-interference capabilities so that you can soar uninterrupted.
SHARE THE SKY
Connect to the DJI Fly app and display a real-time camera view to your goggles and smartphone so you can share your view.
TÜV Rheinland LOW BLUE LIGHT CERTIFICATION
DJI Goggles Integra presents HD display quality while protecting your eyes with a comfortable experience.
Specifications
- Auto Frequency Band Selection: 2.4GHz or 5.8GHz
- Supported Codec Formats: H.264 and H.265
- Antenna Design: Foldable (Non-removable)
- Screen: 1080p Micro OLED (2)
- Battery: Built-in to Headband
- Model: DJI Goggles Integra
- Weight: .89lbs (410g)
- App: DJI Fly App
- IPD Range: 56-72 mm
- FOV (single screen): 44°
- Video Recording Format: MOV
- Supported Video Playback Formats: MP4, MOV (video formats: H.264, H.265; audio formats: AAC, PCM)
- Operating Temperature: -10° to 40° C (14° to 104° F)
- Supported SD Cards: microSD (up to 512 GB)
- Recommended microSD Cards
- SanDisk Extreme U3 V30 A1 32GB microSDXC
- SanDisk Extreme Pro U3 V30 A1 32GB microSDXC
- Lexar 1066x U3 V30 A2 64GB microSDXC
- Lexar 1066x U3 V30 A2 128GB microSDXC
- Lexar 1066x U3 V30 A2 256GB microSDXC
- Lexar 1066x U3 V30 A2 512GB microSDXC
- Kingston Canvas Go! Plus U3 V30 A2 64GB microSDXC
- Kingston Canvas Go! Plus U3 V30 A2 128GB microSDXC
- Kingston Canvas React Plus U3 V90 A1 64GB microSDXC
- Kingston Canvas React Plus U3 V90 A1 128GB microSDXC
- Kingston Canvas React Plus U3 V90 A1 256GB microSDXC
- Samsung EVO Plus U3 V30 A2 512GB microSDXC
-
VIDEO TRANSMISSION
- Energy: 17.64 Wh
- Charging Temperature: 5° to 45° C (41° to 113° F)
- Max Charging Power: 15 W (charging when powered off)
- Video Transmission: DJI Avata: O3+
- Operating Frequency: 2.4000-2.4835 GHz / 5.725-5.850 GHz
- 2.4000-2.4835 GHz:
- < 30 dBm (FCC)
- < 20 dBm (CE/SRRC/MIC/KC)
- 5.725-5.850 GHz:
- < 30 dBm (FCC)
- < 23 dBm (SRRC)
- < 14 dBm (CE/KC)
- Transmission Latency
- 1080p/100fps: as low as 30 ms
- 1080p/60fps: as low as 40 ms
- Max Transmission Distance
- DJI Avata:
- 12 km (FCC)
- 6 km (CE/SRRC/MIC)
- DJI O3 Air Unit:
- 10 km (FCC)
- 2 km (CE)
- 6 km (SRRC)
- Max Video Bitrate: 50 Mbps
- Operating time: Approx. 2 hours
- Transmitter Power (EIRP):
BATTERY
- Max Charging Power: 15 W (charging when powered off)
- Charging Temperature: 5° to 45° C (41° to 113° F)
- Weight: Approx. 185 g (headband included)
- Dimensions (L×W×H): 120×48.8×71 mm
- Operating Time: Approx. 2 hours
- Chemical System: LiNiMnCoO2
- Voltage: 5.6-8.4 V: Type: Li-ion
- Capacity: 2450 mAh
- Energy: 17.64 Wh
IMPORTANT NOTES
- Measured with an ambient temperature of 25° C (77° F), screen brightness at 4, connection to DJI Avata, the video transmission mode set to 1080p/100fps, head tracking off, and the goggles' battery fully charged and
- not supplying power to external devices such as smartphones.
- The frame synchronization algorithm for DJI Goggles Integra has been optimized from prior models to improve video transmission and reduce visual fatigue and dizziness.
- The screen refresh rate changes with the video transmission frame rate. It may switch between 100 Hz and 60 Hz to adapt to the current video transmission frame rate.
- Compatible with DJI Avata, DJI O3 Air Unit, DJI Motion Controller, DJI RC Motion 2, DJI FPV Remote Controller 2, and DJI FPV Air Unit Module
- The 5.8GHz frequency band is banned in certain countries/regions. Check and comply with local laws and regulations before flying.
- Measured using 1080p/100fps video transmission, tested outdoors in an open, interference-free environment.
- DJI Goggles Integra supports DJI O3+ video transmission with DJI Avata or the DJI O3 Air Unit.
- Wearing and viewing experience may vary by user.
Includes
- 1x DJI Goggles Integra Eyeglass Frames (Set of 2)
- 1x DJI Integra Headband (with integrated battery)
- 1x DJI Goggles Integra USB-C OTG Cable
- 1x Lens Cleaning Cloth
- 1x DJI Goggles Integra
- 11x Corrective Lenses
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016
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